Category Archives: Movies

Doctor Zhivago

The movie Doctor Zhivago has recently become a favorite of mine. Yes I tend to discover things long after their prime. In this case its been 55 years since the release of this landmark movie. God knows I never read the book, reading the Wikipedia article on it took long enough. Some absolutely fascinating tidbits were in the write-up. One of the films stars, Omar Sharif died 5 years ago. The other, Julie Christie, is now 80. Alec Guinness died 20 years ago, Rod Steiger 18. Film died about 40 years ago, but that’s another post.

For me the performance of Sharif was one of the Top 10 ever accomplished in film. My esteem of Steiger? Tops. Christie? Immense. Guinness? Who didn’t like the old boy. Perhaps the funniest aspect of Omar’s performance, the rest of his work I am only a so-so fan of. To me this was simply his seminal performance. That can be guessed from the photos below from the movie. I’m just glad Wikipedia explained the plot to me, I never would have divined it on my own. I’m not saying the entire 3 hours keeps me riveted, but the scenes pictured below do.

Director David Lean (who died 29 years ago) seems to have been a director of note, but I would argue Zhivago being his most beautiful, if not his most important. He has been described as a student of “pictorialism”, a camera technique of not just recording an image, but creating one. As a photographer myself, that would explain what captured me about this movie. It is truly a visual feast. I remember hearing later Omar’s description of what the director told him he wanted before filming. To the effect: “I want nothing. I don’t want you to act. I just want you to feel what you are seeing.”

This is seen especially in the scenes where Omar is contemplating the yellow flowers, and the frost patterns on the glass. It all came together, the skill of the director, the actor, the cameraman, and the emotional manipulation of the film’s score. The song “Somewhere My Love” (Lara’s Theme) was French composer Maurice Jarre’s biggest hit. Easily one of the most recognizable of the 20th century, and definitely one of the most beautiful. I suppose that’s a key point of the film. Yuri Zhivago (Sharif) is surrounded by this unfathomable beauty (the landscape, the flowers, Julie Christie, his children, life, the music) against the harsh realities and ugliness of the war.

The 1957 novel was of course banned in the Soviet Union. So most of the filming took place in Spain, Canada and Finland. The director thought sure they could do the winter scenes in this one location in Spain where they “always” had snow, but that winter of 1964 was the warmest on record. Necessitating Canada and Finland. My standard of a noteworthy film is that it has to have either superb cinematography, acting or script. I would say Zhivago had all 3.

Omar Sharif in one of his signature roles, the revolutionary poet Doctor Zhivago in the film of the same name.

 

 

Clueless

As it turns out, these two women left to right are Alicia Silverstone and Michelle Johnson. I was clueless to that fact. All I knew was that ‘they’ (I thought they were perhaps 1 actress) had gotten naked in Blame it on Rio (and did so quite well), and ‘they’ had looked rather fetching in school girl plaid in a movie called Clueless. Those 2 movies were released exactly 11 years apart, which works out as Alicia and Michelle are exactly 11 years apart in age. Both of their “big movies” were made when they were age 18, I surmise the age at which they were the most sexually desirable. Hollywood does this instinctively. I’ve seen this before when they choose a young actress at age 18 to make her “big movie”, i.e. Lacey Chabert, Jennifer Love Hewitt, Lindsay Lohan…

My knowledge of Hollywood is rather stunted as evidenced by my inability to know these wonderfully different women were actually 2 people. Their paths were quite different. Michelle the elder was born in Anchorage, Alaska in 1965. Alicia (and of course you can’t say it), was born the quintessential Jewish Princess in San Francisco in 1976, her success a foregone conclusion, working nonstop the past 30 years. Having roughly twice the screen credits of the older Johnson. And looking at the photos of the 2, its rather surprising given Michelle’s more voluptuous physique. Alicia seemed to have her “funny face” schtick and not much else.

Its funny how chemistry works. When I was making my 10 Most Beautiful Women of the 80s list, Michelle Johnson never even entered my mind. Likewise with my 10 Most Beautiful Women of the 90s post, Alicia never entered my mind. They were ‘blips’ in the male psyche. I say this simply as it intrigues me for being  something I’ll never understand. 1 year, 1 outfit, 1 look, who knows why? They stick in my mind. As I think about it there are a dozen or two women from yesteryear I remember as if it were yesterday, even though 50 years have passed.

Alicia Silverstone

 



.                                              Michelle Johnson

Q

Even the cartoons were better 55 years ago! Jonny Quest, that was a show. I just read on IMDB that Tim Matheson (Animal House) was the voice for Jonny. Danny Bravo (Johnny’s brother) was the voice of Hadji. Mike Road, who later did Fireman Fund insurance commmercials was the voice of ‘Race’ Bannon, the security for the team. When Race wasn’t doing security, he was doing Jade, the secret agent spy tramp who had a taste for tall, blonde and handsome (interestingly Jade’s voice was provided by Cathy Lewis who did a ton of episodic television in the 50s and 60s and who died at the much too young age of 51).

Hanna-Barbera created the show, which is rather unusual. HB had the clunkiest cartoons which were often really cringe worthy. Jonny Quest on the other hand, was the ultimate in cool. The music, the animation, the voice actors, the writing, there wasn’t a weak spot in the entire production. More than anything I suppose is how different the values of society were back then. 2 pictures down there’s a scene where the boys were trying to play a trick on Race when he catches them. He good naturedly rough houses with them when he catches them.

Boys were boys and men were men back then. None of this crap were boys pretended they were girls so they could run on their track team. They had strong emphasis on country, family, education, physical fitness, courage, toughness. A different world than today. It goes along with a previous observation I’d made about TV westerns up through the 60’s. They embodied the American spirit; rugged individualism. That had to die for the revolution the Left wanted. One of the tools they used to destroy American culture was feminism.

In an honest movement you didn’t have to destroy men to elevate women, but theirs wasn’t an honest movement. They weren’t really about empowering women so much as destroying men. That’s why shows like westerns and cartoons like Jonny Quest had to make room for Saturday morning fare like My Little Pony and The Smurfs.

                                                                     “Ai-yeeeee!”

 

Lynn Holly-Johnson??

So I’m watching another riveting episode of Svengoolie (The Man With 9 Lives) and some memory trigger for Lynn Holly-Johnson comes up. Boomer men remember her from the 1978 classic Ice Castles. Trust me she was a big deal. She was a Bond Girl for heaven’s sake! (For Your Eyes Only – 1981) In Ice Castles she played Alexis Winston from Waverly, Iowa (in reality she was from Chicago, Illinois). She was an accomplished skater having won silver in the novice division of the 1974 Us Figure Skating Championship. She had a couple of kids after making movies such as Where the Boys Are ’84, Angel River and Alien Predators. “Johnson, who was described as “an appealing young woman who actually happens to be a good skater who can act” by film critic Roger Ebert, was nominated for a Golden Globe as “New Star of the Year in a Motion Picture – Female” for her performance in the film.” Like I say she was quite the saucy tart 40 years ago. She’s also a great example of the shifting tastes of various decades. 2020 is not 1978.

 

Manhattan

Truth is stranger than fiction. I saw Manhattan when it came out in 1979. Woody Allen hadn’t gone stale yet. I think the main attraction was Mariel Hemingway. We’re 2 years apart in age. If you’re a guy, you noticed Mariel Hemingway when you were 20. A few years later she portrayed murdered Playboy Playmate Dorothy Stratton in Star 80. Not really a member of the Hollywood fan club, all I know about her life after that period is from IMDB and Wikipedia.

Mariel caught someone’s eye as a teenager, she starred in 1976’s Lipstick with her older sister Margaux (both sisters were models, Mariel coming in at a statuesque 5′ 11″). Margaux evidently had a troubled life and took her own in 1996. I should go back and see Manhattan again. Knowing Woody, its not surprising Mariel said later he wanted a physical relationship with her after filming of Manhattan, which she rebuffed. In the film she was his high school lover.

She’s evidently big into yoga and TM (I wonder if she’s ever been to Fairfield, IA?). She also did a documentary assessing her families struggles with alcoholism, suicide and mental illness. It sounds like her growing up in Ketchum, ID wasn’t all peaches and cream. Wikipedia makes allusions to her career “cooling off” at various times, but she has a screen credit in nearly every year for the past 40 years.

Its hard to have this make sense to a younger person, but its interesting to see which  women from 40 – 45 (or more) years ago, kept their pizazz. How many women from that era, meet today’s standard of beauty. Its hard to convey just how big that generation of Hemingway’s were at the time. Joan and Margaux really paved the way for Mariel. The Hemingway mystique was alive and well in the 60s, 70s and early 80s. Its also interesting how ‘standards of beauty’ shift over the decades. I’m not sure where Mariel fits in.

There is a clickbait ad going around now supposedly showing beautiful women during a particular decade. As an example, in the 70s there were 2 women that were just hugely popular, Suzanne Somers and Farrah Fawcett. With Farrah you look back and say, “Yeah, that makes sense.” With Suzanne you’re going, “What were we thinking?” I think I’ll post a picture of Joan at the bottom (the only images of Joan I can find have ‘Getty Images’ across them).

See the source imageMargaux Hemingway

Joan Hemingway

Joan Hemingway

Hayley Mills

Pollyanna! (for which she won a special juvenile Academy Award) Awhile back I happened to see a clip of her on YouTube. It immediately reminded me of why she caught my eye as a teenager. Scrolling through the comments, I saw I wasn’t the only one. It turns out she has quite the fan base all these years later. While I was compiling the photos for this post I discovered two things. There’s a site called ‘Wikifeet‘ and Hayley’s are as popular as anyone’s. Don’t ask me why. Another thing I was reminded of was that she has an older sister named Juliet. What’s odd about that, is its Haley that brings the heat. Her sister doesn’t seem to generate the attention Haley does. No idea why. All I can come up with is that Haley has a wild air about her. Kind of a Bohemian personality. Juliet seems much more buttoned down. Haley seems like she has an enormous IQ, like she’s kind of snickering at the world. Oh well, here’s to remembering one fine actress!

“In the movie That Darn Cat! (1965), her habit of biting her nails precluded her from using her own hands in close-ups. A studio worker, Tricia Blain, who just happened to be hanging around the set watching the filming was selected to serve as a double in those shots that required close-ups of the actress’ hands.”

“At the age of 16, she was offered the title role in Stanley Kubrick’s Lolita (1962) but her parents decided against it because they feared that the film’s steamy subject matter might taint her wholesome image. The part went to Sue Lyon instead. In later years, Mills admitted that she regretted not taking the part.” (I regret her not taking the part!)

ertyui

Who put the ape in apricot?

What do they got that I ain’t got? Courage! That pretty much sums up modern Hollywood. Classic Hollywood had boldness (and subsidies as it turns out). TCM (thank God and Ted Turner for them) actually has a show on why 1939 was such an incredible year for movie making. They were at the frontend of their monopoly, before they got fat and lazy. It was in 1941 because of the war that Congress ended some incredible tax breaks for them. And it was an undefinable juncture where you simply had an incredible number of stars. Grant, Stewart, Bogart, Wayne, Davis, Crawford, Hepburn, Garland, Rooney, Gable, O’Hara, Flynn, Powers, Fairbanks, Barrymore, Tracy, Temple, Astaire, Rogers and on and on!

They did it before computers, lasers and helicopters! Maybe the Great Depression had something to do with it, the need for escapist fantasy. Perhaps just as incredible were the wonderful films like The Hunchback of Notre Dame who didn’t get much recognition simply because they were released in the wrong year! At the link above there is a list of all the films released in 1939, its just staggering. Little did I realize my favorites would end up being Stagecoach, Andy Hardy, Goodbye Mr. Chips and The Wizard of Oz.

[Wikipedia] “The year 1939 was one in which the Academy of Motion Picture Arts and Sciences nominated ten films for Best Picture”:

Chemistry

Teresa Wright and Dana Andrews stick with me for one reason, The Best Years of our Lives. They had the best onscreen chemistry. Molly Ringwald and Michael Schoeffling had it in 16 Candles, not in real life as it turns out, but they sure did in the movie. Lacey Chabert and Andrew Walker had it in My Secret Valentine. I have no idea why it happens or why it doesn’t. But I don’t think there’s any denying it. Maybe it has to do with the viewer? I happen to really like Andrews and Wright as people/actors. Maybe its the situation the viewer likes? At the moment I can’t really think of too many other cases of when the sparks were flying. John Ford tried to “make it happen” with John Wayne and Maureen O’Hara, but I don’t think it really did. Lacey Chabert has had it probably 3 times. Equally attractive Jennifer Love Hewitt I don’t think has ever had it. “Luke and Laura” on General Hospital in the early 80s? Grace Kelly and Jimmy Stewart in Rear Window? Who knows why the screen crackles with some couples and not with others. That moment when 2 actors create the illusion that you think is real. I have the feeling I’ll be back with an edit once I think about it awhile.

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TCM celebrates the strangest movies

I like Casablanca as much as the next guy. Not as much as the true nut, but its a fun film. Rick helps the young bride out at the roulette table (#22) so she doesn’t have to sleep with the Nazi that hands out the exit visas. He shoots the German Colonel so Ilsa and Victor can get away on the plane. But he spends a good deal of the film drunk. There’s nothing romantic about it, its a character flaw. I was watching some western the other day, the hero rides into town and meets an old friend, they head to the saloon. The cowboy’s having a bad day he heads to the saloon. The cowboy has a good day he heads to the saloon. How those cows ever got drove is beyond me, they spent most their time in a saloon. They drove drunk.

But Hollywood for their entire history has romanticized drinking. A sober older adult can say what bullshit. But what influence does that have on a young man coming of age? When drinking alcohol is continuously portrayed as ‘cool’? Another movie TCM is in love with is Double Indemnity with Fred MacMurray and Barbara Stanwyck. These fine people are just so in love with each other that Fred just can’t divorce his wife and hookup with Barbara, oh no. They have to kill his wife and cash in a big insurance policy. That’s rather depraved behavior. But don’t tell TCM. There’s a great real life story concerning this topic and Fred MacMurray. About 1957 he and his family were walking someplace one day when a woman comes up and slaps him then proceeds to chew him out for the immoral movie he made that she had just taken her kids to.

Fred takes the balling out then turns to his wife, “Junes, no more of those.” That’s when he turned out the Disney flicks Flubber and other good family fare. He also made the wholesome My Three Sons for 12 years. That’s what a man is. Hollywood prefers to emphasize the negative.

Hollywood’s glorification of debauchery took out many, many of its own. Richard Burton dead at 58. Ward Bond at 57. John Wayne at 72. Humphrey Bogart 57. Spencer Tracy 67. Peter Sellers 54. Clark Gable 59. Errol Flynn 50. Douglas Fairbanks 56. Tyrone Power 44. Which is not to say all these actors died because of smoking, drinking and drugs, but in a lot of them it sure played a part. I remember the first time I heard someone of note (G. Gordon Liddy) spell it out plain.  He just said, “There’s nothing ‘cool’ about drinking, there’s nothing to be gained from it.”

Hollywood was in love with smoking cigarettes too. A genre on TCM I like for the gritty city scenes is what the call ‘film noir’. It was from the 40s and 50s. They smoked everywhere. Hospitals, gasoline factories, everywhere! Some people like to act like, “Oh we didn’t know smoking was dangerous until the Surgeon General Report in 1964; bullshit. Athletes knew. “Respectable” families knew. There’s a quote from King James of England about 1608 talking about not bringing the tobacco weed back from the colonies as he didn’t want the ill effects on health foisted on the people of England. But Hollywood sure spent decades trying to convince you how cool it was. To kill yourself. People damn well knew smoking wasn’t cool, but there were competing interests, the federal government was making a ton of money off it.

[1/30/21 update: So I’m watching ‘Oh, God!‘ this Saturday afternoon and I’m noticing how cute Teri Garr was when she was 33. I look her up on IMDB and find a very interesting little quote. “Any movie I’ve ever made, the minute you walk on the set they tell you who’s the person to buy it [cocaine] from. Cher said they’re going to make two monuments to us–the two girls who lived through Hollywood and never had cocaine.” I came to that theory on my own awhile back. I was looking at the rampant drug addiction in Hollywood, and it occurred to me that with long hours on the set and their recognizable faces, its not like Hollywood actors with be able to drive around town looking to score some drugs. But the main theory was, producers hate having to pay the incredible wages they do, they’d want to get that money back. How better to do it then being the drug conduit?! Its kind of like in the old days when the mine workers or railroad workers had to buy from the ‘company store’. The owners get their money back!]

I figured out the Marilyn Monroe mystery!

Norma Jeane has always bothered me. As a casual observer of pop culture, sometimes their choice of icons made sense, and sometimes they didn’t. Norma Jeane to me seemed like a nice person, a very good actress, and an attractive woman. She died before I was even school age so I never really knew how she was regarded at the time. My only information was what I read or saw on TV when they had one of their ’10 Best’ or ‘100 Greatest’ nonsense shows. Some 50 years after her death I became a frequent shopper at thrift and antique stores. Once you walk through one of those you’d think Hollywood after 100 years had only 3 Stars: John Wayne, Elvis and Marilyn Monroe. Dolls, posters, figurines, signed photos, books, records, hats coats, anything you’d ever want to remember them by! I’m a huge fan of the first two. Marilyn? I can take her or leave her.

So I’m looking at my Gab timeline and a member of the art group had posted the fun picture above of a 23 year old Marilyn at the beach. I love B&W too. And then for some reason a moment of clarity came to me after 10 or so years of wondering about it. Its like an old buddy from 25 years ago always used to say, “follow the money”. Bingo. Marilyn Monroe wasn’t the sexiest woman to ever walk the planet. She wasn’t the most beautiful. She wasn’t the greatest actress. But it was in the interest of those who owned the rights to her work and image to make us think so. As I explain in the paragraph below that I put on Gab, her dying at 36 was the best thing that could have happened. Her earning power was going nowhere but down. And worst of all, if she’d lived another 50 years, they would have had to pay her. She would have owned her contracts.

“Nice photo. My confusion (until now) was why the push in memorabilia and Hollywood history to make her out to be the be all end all in womanhood? Because there were all kind of women like Janet Leigh and Grace Kelly that were just as/more beautiful (and sane). But with her dying at her peak, her marketability was all there but not the royalty payments. Hollywood’s perfect world! They could continue to sell her the next 100 years but not have to pay her! Her dying was the best thing that ever happened to them, no more royalties. Because in the end, that’s what Hollywood is about, cheating people out of their money.”

Actress Marilyn Monroe in the studio

I did such a fine job of photo editing on this post I even amazed myself.